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William Ramirez

5+1 Birthday Timeline

November 16, 2021

2015

Colored Criticism launches as a home for people of color to be seen and heard in the arts.

[Video] Release of Digital Natives, the first episode in our signature series on YouTube. Our coverage of Indigenous art is filmed on location at Metropolitan Museum of Art.

[Event] Release of Free Blacks, the next episode of our signature series, with a conversation around African diasporic dance at Brooklyn Community Foundation.

[Video] Release of Museum of Impact episode, first media partnership.

2016-2018

Colored Criticism becomes a fiscally sponsored project of New York Foundation for the Arts (NYFA.)

[presidential election]

[Video] Release of Colored Criticism trailer to celebrate the first season of our signature series.

[Media] Principal photography begins on Carnival Queens, our first documentary. The long-form project explores Caribbean cultural heritage and art through the West Indian Day Parade.

2019

Event] First Work-in-Progress screening of Carnival Queens at Guild Hall, along with panel discussion on Caribbean history.

[Video] Whitney Biennial episode launches on YouTube, the last production before the pandemic.

[Event] First events held for college students at Multicultural Resource Center and Mead Art Museum, Amherst.

2020

[Pandemic]

[Event] Black History Month program at Grace Church White Plains is our first faith-based partnership, and last event before “NY State on Pause” closes non-essential businesses.

5 year birthday of Colored Criticism. No celebration.

[Media] Launch of Art Off Pause, our livestream conversation series in response to the disruption of the pandemic.

[presidential election]

2021

5+1 Birthday! Celebrating five years of Colored Criticism plus pandemic!

Colored Criticism welcomes new Board members.

[Event] Discussion with Middle East Librarians Association program links academics on multiple continents.

[Media] Launch of new Colored Criticism website!

→ Next: a bright future!

We’ve got big dreams for our future.

This year, Colored Criticism is celebrating our 5+1 Birthday! That means that we’ve worked through five years and one pandemic to center people of color in the arts.

Last year was not celebratory for obvious reasons (COVID-19, we’re looking at you!) So this year, we’re looking back and dreaming forward.

From now until Thanksgiving, we’ll be revisiting and sharing some of our favorite highlights of the past 5+1 years, and asking for your support as we grow!

To kick off our celebration, here’s a timeline of our progression over our first six years.

Yours in 5+1 birthday fun,
Tiffany.

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Filed Under: Articles

Patrick Mulryan

October 13, 2021

Photo credit: David Noles

Patrick Mulryan is a queer director, actor, and voice and dialect coach based in New York City. The focus of his work is on expanding one’s expressive palette through freeing one’s authentic voice and through that process expanding our capacity for empathy.

Patrick recently joined the creative team for Harry Potter and the Cursed Child on Broadway as Dialect Associate.

Other recent credits include directing a production of Tom Stoppard’s Indian Ink in Brooklyn and acting as the dialect coach for Lynn Nottage’s Pulitzer-winning Sweat at the Huntington Theater Company in Boston for which the cast received the Elliot Norton Award for Outstanding Ensemble. Previously he served as director and adaptor for a production entitled Raison d’être: an Evening of Pirandello which ran at Theatre 71 on New York’s Upper West Side. An interview with him on the subject of adaptation was published in the Journal of the Pirandello Society of America. Other credits include Goblin Market (JJewell Productions) which he directed in New York at 59E59 and abroad at the Edinburgh International Fringe Festival. 

As an actor, he appeared in Fiasco Theater’s acclaimed production of Into the Woods in London at the Menier Chocolate Factory as well as in New York at The Roundabout Theatre (Lortel Award for Outstanding Revival) and on tour, for which he received an LA Drama Critics Award.  Other performance credits include: Fiasco’s Cymbeline (Barrow Street, TFANA); Bum Phillips All-American Opera (La MaMa); As You Like It (Happy Few Theatre Company, NYIT Award Nomination); Fiasco’s Into the Woods (McCarter, Old Globe); Cabaret and Importance of Being Earnest (Trinity Rep); Chain of Fools (Guthrie). 

Patrick is the Artistic Associate for the Brooklyn College Theater Department and a Lecturer in the MFA Acting Program and BA Program. He has been a guest lecturer in Voice and Speech at LIU/Brooklyn, NYU, Pace, SUNY Purchase, and Fordham. He has developed work with the New Group, Tectonic Theater Project, Ensemble Studio Theatre, Page 73, Ma-Yi, TFANA, Fiasco, Lark, New Georges, and at the O’Neill Center (NMTC).

Patrick received his MFA in Acting from Brown University/Trinity Rep.  Other training includes: Moscow Art Theatre (NTI), Oberlin College (BA), and Guthrie Experience for Actors in Training (GEx 13). 

Patrick is a member of the Actors Center workshop company, the National Alliance of Acting Teachers, VASTA, and the Dramatists Guild.

Filed Under: Board

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May 18, 2021

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Land Acknowledgment

Land Acknowledgment

Colored Criticism is based in New York. We acknowledge that we work in the ancestral and unceded territory of the Stockbridge-Munsee Band of Mohican Indians. … Learn more about Land Acknowledgment

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